The Distance Within | 120×150 cm | Oil on Canvas | 2025 | £22,500 | We are never entirely present to ourselves. The closer the gaze returns, the more the self divides between the one who looks, the image they choose to believe, and the world that image permits them to ignore.

The Upside of Conviction | 76×102 cm | Oil on Canvas | 2025 | £12,500 | Certainty can give meaning to suffering, but it can also make suffering seem necessary. Belief offers orientation, yet every certainty also redraws the boundaries of what can no longer be questioned. At what point does conviction cease to illuminate and begin to overturn the world around it?

Marzabotto (Historical Nostalgia) | 250×150 cm | Acrylic on Canvas | 2015 | £28,500 | These paintings mark the point at which absence first became a way of seeing. Rather than depicting an event, they ask what remains after its visible evidence has disappeared. They stand here not as a beginning, but as the first step towards the questions that unfold throughout Reveries in Fracture.

Marabotto II | 200x160 cm | Oil on Canvas | 2016 | £28,500 | These paintings mark the point at which absence first became a way of seeing. Rather than depicting an event, they ask what remains after its visible evidence has disappeared. They stand here not as a beginning, but as the first step towards the questions that unfold throughout Reveries in Fracture.

The Unfinished Memory | 120×150 cm | Oil on Canvas | 2024 | £22,500 | Memory does not simply preserve; it reshapes, abandons and invents. What resists recollection is not always lost. Sometimes it remains beyond the reach of certainty, asking to be encountered rather than recovered.

What the Light Remembered | 76×102 cm | Oil on Canvas | 2026 | £12,500 | Identity may not reside in the face, but in the fleeting recognition that passes across it. A face may vanish before its presence does. Light holds briefly onto what cannot remain, preserving neither identity nor history, but something less certain: the sensation that somebody was once here.

The Open Firmament | 150×120 cm | Oil on Canvas | 2024 | £22,500 | The sky promises release, but offers no certainty of arrival. Perhaps transcendence begins not in leaving the world behind, but in loosening the boundaries through which we have learned to understand it.

Before They Spoke | 102×76 cm | Oil on Canvas | 2025 | £12,500 | Before meaning settles into language, it remains unstable, felt, suspected and open to contradiction. What cannot yet be named may hold more truth than anything that follows.

The Unchosen | 140×150 cm | Oil on Canvas | 2026 | £28,000 | When certainty dissolves, responsibility does not. As narrative recedes, interpretation becomes an act of participation rather than recognition. The image no longer tells us what happened; it asks what remains of truth.

The Measure of Power | 140×150 cm | Oil on Canvas | 2025 | £25,000 | Power is not measured only by what it can command, but by what it no longer feels obliged to restrain. It becomes most visible when it no longer needs to justify itself. Its truest scale may be found in the lives altered beneath it.

Toward the Open | 250×150 cm | Oil on Canvas | 2024 | £35,000 | Freedom may not be a place of arrival, but a direction. Its promise lies in moving beyond what has already been named, bounded and made certain. Openness begins where certainty loosens its grip.

Without Precedent | 192×192 cm | Mixed Media | 2021 | £35,000 | Some images feel remembered despite having no past. Perhaps the mind does not merely retrieve its histories, but quietly invents the origins it needs.

The Last Bearing | 120x150 cm | Oil on Canvas | 2025 | £22,500 | Some burdens are carried because setting them down would feel like abandonment. The body may become weight, but the act of holding remains an expression of tenderness, duty and care.

No More Nectar | 100x120 cm | Oil on Board | 2025 | £12,500 | What begins as abundance may leave behind only appetite, absence, and the uneasy knowledge that enough was never quite enough. Every desire contains the possibility of excess. Once detached from its object, longing often survives longer than satisfaction itself.

The First Silence | 200×160 cm | Oil on Canvas | 2024 | £33,000 | Silence does not always begin when the noise ends. It may begin earlier, in what is overlooked, excused or left unnamed while there is still time to speak. It is the space in which memory begins to negotiate with forgetting.

The Mortal Bargain | 150×210 cm | Oil on Canvas | 2025 | £33,000 | Human beings repeatedly place the immeasurable on opposite sides of an imagined scale. Yet no promise of collective salvation can make one life mathematically equal to another.

The Hours Between | 180×150 cm | Oil on Canvas | 2025 | £32,000 | Not every moment belongs to a clear before or after. Some exist in suspension, while meaning gathers slowly around events that have not yet decided what they will become.

When Time Forgot the Dance | 190×150 cm | Oil on Canvas | 2025 | £33,000 | Time does not pass evenly. It circles, hesitates and returns in altered form. We repeat gestures whose meanings have long since disappeared. Perhaps time does not preserve the past at all, but teaches the body to continue without it. What remains is rhythm without beginning or end, suspended beyond the certainty of time.

Echoes of Accord | 180×120 cm | Oil on Canvas | 2026 | £40,000 | Every age imagines that harmony, once achieved, can endure. Harmony is rarely the absence of conflict. Perhaps it is only the fragile arrangement through which opposing forces agree, for a moment, not to destroy one another.

The Familiar Stranger | 226×150 cm | Oil on Canvas | 2026 | £35,000 | Familiarity may be less a form of knowledge than a disturbance. It may be the point where memory and imagination become indistinguishable. Recognition can arrive without certainty. We encounter something known, yet altered beyond possession, as though memory has returned wearing another face, asking whether familiarity is enough to make anything truly ours.